But it's to Turosh we turn first. Here you can see him in all his triangular glory:
While I was noodling about colour schemes I watched Fritz Lang's 1924 version of Die Nibelungen. Which pretty much blew my mind. Here's why:
The surface design in the movie is mind blowing. Coupled with some audacious sets and Lang's eye for composition the film is a masterpiece. Lang shouldn't, perhaps, take all the credit for the visuals though, as it seems that the artist Carl Otto Czeschka produced the illustrations for a printed version of the tale in 1920. This body of work undoubtedly formed a template for Lang's costumes:
Back in Tzeentch land, the large shields form a perfect substrate for the pattern work. I was really pleased with the result and I want to roll this out across the warband. Not sure how this is going to work on the more organic chaps... but I'm sure I'll find a solution.
In an effort to paint faster by being more efficient I reigned in my natural desire to spend ages highlighting the model's skin. I just applied a gradiated wash to it and left it at that. I selectively highlighted elements like the cloth and face mask. I felt these areas are where the effort is going to be seen. Coupled with the neat pattern work the eye is somewhat fooled into thinking the mini has had more effort invested than is actually the case.
So, now on to the other members of the Nine...