"It's mine, for better or worse." says the softly spoken Barker in this interview from 1987. He is answering a question from an earnest interviewer about the vision of psycho-sexual horrors he conjured up in Hellraiser, released earlier that year.
The interview, below, is a fascinating watch for several reasons. It's a window into the mindset not only of Barker (a floppy-haired, charismatic man who looks a decade younger than he was when this was shot) but also the British public. An audience of very 80s Scottish youths grill the film maker on his 'obsession' with violence and his contribution to the media boogie man of the day - the 'video nasty'. This was a term invented by the press earlier that decade to describe extreme horror movies that were circulating as video tape became a household media. Hellraiser was lumped-in to this category with the likes of Cannibal Ferox and Barker eloquently describes why he feels this is unfair.
Today these questions seems trivial. We live in a world where google will show you anything you want, from real life piranha victims to (probably fake) creepy pasta stories about Russian sleep deprivation experiments. We are in an age of deregulation and and we accept the state having little control over such content.
Another thing of interest is Barker's critique of building figures of horror into anti-heroes. He cites Freddy from Nightmare on Elm Street and argues that make Freddie a joker rooted for by the viewing public is damaging. Little did he know that his creation Pinhead would, arguably, become a similar icon. Thanks to Barker's masterful work, Pinhead grew into a spiky poster-boy for the early 90s alt/metal/horror scene. The (pretty abysmal) Hellraiser III even lurched into horror-comedy territory. Hell, I've even got a replica puzzle box in my spare room. I should get a replica Freddie glove to put next to it, just to annoy Barker.
So take a pew and watch this window into the late 80s. In the words of Pinhead, "We have such sights to show you."